12/29/2023 0 Comments Free dx7 librarian![]() The bottom row of the editor has checkboxes to group-edit multiple steps at once. The notes can overlap, since the FM synth is polyphonic. So you can create a sequence with lots of steps, and mute/unmute the steps as the sequence plays to get variation. The synth sequencer gives you 16 steps to play with, each with its own note, velocity, gate length, and mute. Each Free Envelope is 192 data points, and you can zoom in if you need to edit a small section with greater detail. Each one of these 4 recorded motion tracks is called a Free Envelope, and Patch Base lets you hand-edit each of these with multiple tools: draw with your finger, draw lines, smooth a section, randomize a section, scale the envelope, and shift the envelope data left/right, or up/down. The DX200 can record a sequence of the knob tweaks you perform, on up to 4 different knobs controlling the synth. ![]() ![]() ![]() The Free EG ("Envelope Generator") section is where you can get really deep into your pattern's sound. Now you have 2 different scenes to fade between, over the rhythm. You can "fade" between these scenes with the Scene knob, adding a new layer of FM expression: find settings you like for all of the knobs (in the top section of the editor), then "sync" one of the 2 scenes to those settings (using the Sync feature in the editor). And to make it extra-tweakable, set up two scenes for your patch each scene has its own FM tweak settings, filter settings, and a few more parameters. Design a voice in the editor, and then the knobs can morph that voice as your sequences play. One aspect that sets this synth apart from its predecessors are the knobs for real-time access to 3 of the FM operators' frequency ratios, depth, and envelopes. And the delay can add rhythmic complexity (triplets!) to a 16-step loop. The reverb gives a nice sense of space to everything. The effects section can be applied to the synth and the rhythm tracks, too. The distortion and noise generator let your voices take on a new personality. The filter can be low-pass, high-pass, band-pass, you name it. The "Synth" button in the top left accesses a folder for importing your own DX7 patches and banks, making it easy to swap out the voice on a pattern (something you can't do on the DX200 itself!).īeyond the DX7, the DX200 has a filter with its own envelope, distortion, EQ, noise generator, and stereo effects (Delay, Reverb, Flanger, Phaser). Visualize each algorithm, all 6 of the envelopes, and control every parameter. The layout for the voice editor is the same as for the DX7. If you want to create your own voices with all the power of the DX7, Patch Base has you covered. There are knobs for Algorithm, LFO speed, and some tweaks to a few of the operators, but that's it. But, you can't really edit the voice using the box itself. You can ignore the sequencer and the effects and everything and just play this box like a DX7 (with an external keyboard, that is). The voice architecture is identical to the DX7, and it can even read DX7 patches. So, what is the DX200? For starters, it's a Yamaha DX7 in a small box. Let me tell you a bit about the new editor, and the DX200 itself. And so, today, I bring you Patch Base 3.4 and the Yamaha DX200 Editor and Librarian. And about a month ago, a kind and generous man named Calvin met with me on a chilly night in the parking lot of a Walgreen's Pharmacy in Austin to loan me his DX200 (pictured here). Well, 17 years earlier, Yamaha tried a similar thing: the DX200. Here’s the story direct from Patch Base.Ībout a year ago, the venerable Elektron released their Digitone: an FM synth box with a sequencer, promising to make the elusive methods of frequency modulation into a more hands-on experience. The iPad app, Patch Base, has a new editor/librarian for the Yamaha DX200 that they say gives you the power and organization to use your DX200 as a DX7, a loop production machine, or a live performance box.
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